| TeleSeminar:
The Five Ingredients of the Scene Tuesday, October 24 from
Emily Hanlon and The Fiction Writer's Journey
This TeleSeminar along with all 2007-2006 TeleSeminars is now available at half price, E-books included.
By
popular demand, the first TeleSeminar will be The Five Ingredients of the Scene
in Fiction Writing. During the TeleSeminar, I will simplify and demystify
fiction writing techniques that are also applicable in memoir writing, fictionalized
nonfiction and even journaling.
(See
below for European countries where local numbers available.)
Receive
an E-book when you register! The
E-book includes: 1.
Example of Point of View and Dramatic Action Driven by Characters Inner Thoughts.
Excerpt by Kurt Blankmeyer 2.
Example of Going In and Out of Flashback. Excerpt by Emily Hanlon from
her novel, Mistress of the Labyrinth 3.
Example of Mood Driving Description, followed by an exercise. Excerpt
by Terry Purinton, from his novel, The Wind Harp. 4.
Editing Versus Rewriting, by Emily Hanlon 5.
The "What If" Game, followed by exercise, by Emily Hanlon
| In
the TeleSeminar you will learn: -
The mechanics of writing the scene.
- How
the five ingredients weave together to make the scene.
-
How to open to new characters and stories with the all powerful technique of Point
of View. (POV)
The
Five Ingredients of the Scene that we will be exploring are:
- Point
of view or who's story are you telling... POV
puts you inside your main character's head, heart and gut -- you are seeing the
world through the eyes of your character.
-
Dialogue is one of the fastest ways into character and allows characters other
than your POV character to reveal who they are. Letting the dialogue "roll"
often offers up unexpected "what happens next?" and other surprises.
Dialogue is a great way to show tension. Glance through at a novel. Most novels
are anywhere between fifty and eighty percent dialogue. Think you can't write
dialogue. You can. I promise. Why am I so sure? You talk, don't you? You can write
dialogue. I've never worked with anyone who can't write dialogue, only with people
who think they can't.
-
Dramatic Tension/Action. You can't have a story without dramatic tension.
There are many different ways to create dramatic tension, which can come from
something outside the character or something internal.
-
Mood, some people call this description. Thinking "mood" instead
of description is more apt because mood is character driven. How does your character
see a scene? In other words, what the character sees is more important than what
you, as the writer, want to describe.
- Flashback
is a scene from the past that informs the present and tells the reader something
important about the character. Once you are in the flashback, you are once again
in scene. All of the above applies. People often worry about transitions into
and out of flashback. We will explore these transitions.
|
TeleSeminars
are easy and fun!
This TeleSeminar along with all 2007-2006 TeleSeminars is now available at half price, E-books included.
TeleSeminar and audio download: $20. $10
Once
you sign up, you will receive a telephone number and an access code. When you
call in, you will be prompted for the access code. That's all you have to do!!
The TeleSeminar will run an hour to an hour and a half. You will be able to ask
questions. Tuesday, October 24, 1 pm Eastern Time. Can't
make the TeleSeminar? No problem... the program will be available as a download
to everyone who signs up, whether or not you attend.
TeleSeminar and audio download: $20. $10
If
you purchase the TeleSeminar after it is recorded, the price will be $25.
Save $5 and sign up early!
Countries
in Europe with country call-in numbers: Austria, Belgium, France, Germany,
Ireland, Italy, Netherlands, Spain, Switzerland, UK Register You
may also mail a check to: Emily Hanlon 995 Chapman Road Yorktown,
NY 10598 |
I
would appreciate your posting news of this TeleSeminar and also pass on this page
onto your writing friends.... Thanks,
Emily home
page |