Fiction writing is not a linear process.

Fiction writing is not a linear process. To understand we have only to look at creativity itself.

Creativity is a subtle and magnificent dance between the rational and the intuitive, between the left and right parts of the brains, between technique and imagination. Both partners in this dance are absolutely necessary and are needed in equal proportion, which means that imagination is not more important than technique and visa versa. If you only live in the imagination, you will never get organized, you will never complete your story. However, if you start from the rational, linear, organizational part of the process, ( ie. Gotta have the perfect opening sentence and first paragraph... better yet, an outline...) you will never fall into the rich, passionate cosmic landscape of the imagination where anything is possible.

However, the main problem I have seen in my thirty years of teaching fiction writing is over-dependence on the rational part of the equation. People want to get the story written and get it out. (Whatever that means?) The want to leap frog the process, get the words down on the page and finish the story. This is to symptomatic of the goal oriented society that we live in, a society that is striving upwards toward success instead of embracing the deeper, more powerful and life changing journey of descent that takes us into the creative realm of the true self.

"The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant and has forgotten the gift."
Albert Einstein

Message from the Muse

The work in process becomes the poet’s fate and determines his psychic development. It is not Goethe who creates Faust but Faust who creates Goethe.

C.G. Jung

I Am Not I

There is a very particular risk inherent in the creative process: when you take the journey inward, you discover that you are not who you think you are, or you are more than who you think you are. But sometimes these images reflected through the inner mirrors are so alien that they first appear ugly, even demonic and cause us to run. The trick is not to run, but to persevere. The image will shift, the fear will dissolve and the stranger seen through the creative mirror will become familiar and quite wonderful. These unknown parts of us will guide us through unseen doors, into unexpected landscapes.

A poem by Juan Ramon Jimenez speaks wonderfully to this point.

I Am Not I

I am not I.
I am walking beside me
whom I do not see,
whom at times I manage to visit
and at other times manage to forget.
The one who forgives sweet when I hate,
the one who takes a walk when I am indoors,
the one who remains silent when I talk,
and the one who will remain when I die.

How do we discover these who walk beside us and tend to be who we are not? How do we learn to lift the smoke screen?

First of all, I'd like to suggest that these ones do not walk beside us, but these unseen, unexplored voices live inside us.

There are different ways of finding this inner self which some call the dark or shadow side, hidden self or true self. Whatever you call them they are parts of our selves that have been secluded, usually in childhood or adolescence, when it seemed somehow dangerous to put them out into the world. We learn very early in life to pass judgements on those parts of ourselves that don't meet with acceptance and, in so doing, we doom ourselves to live through a very small part of the totality of self while casting other parts of self into the shadows, where we keep them hidden, silenced in the dark.

Carl Jung said that the unconscious is a great friend, guide and advisor to the conscious and that psychic wholeness comes from bringing the unconscious and the conscious into balance. He believed the primary way of doing this is through dreams. I believe that this communication is also part and parcel of the creative journey. The trick is in breaking through the stranglehold that the rational, conscious mind, the "I" we think we are, has on us.

As far as I am concerned, this is the most difficult part of the journey, quieting the inner critic so that we can go unfettered, without judgment and criticism, into the great sea of the unconscious. This breaking through is also the hook -- or perhaps it is more accurate to say that when we finally break through into the creative unconscious, we are hooked. For there we find the hidden selves who hold so much of our deep yearnings and explosive drive. They hold talents, wisdom and knowledge we never dreamed we had. For the fiction writer, our hidden, disowned selves often come through as powerhouse characters -- if we let them! In so many ways, these hidden selves are partners in the dance of creativity.

To explore these ideas in more depth and see how they affect you and your writing, buy Emily's book, The Art of Fiction Writing and receive two e-books free!

"Nothing's either good or bad but thinking makes it so."

- William Shakespeare

So tell your Inner Critic to put that in his pipe and smoke it when next she tries to stop you from following the passion of your creativity!

Creativity is a labyrinthine journey that takes us deeper and deeper into our self. With every twist, turn and seeming two (three and four!) steps backward for every step forward, we learn more, let go more, fear, love, cry and dance for joy. Creativity is a journey into the dark and it must be. Why? Because as creators, we are manifesting the unmanifested.

Where is the unmanifested found?

Where are seeds found?
What gives birth to dawn?
From where does the butterfly emerge?
What is the warm, encompasing darkness that gives birth to every living thing?

The answers are all around us.

Creativity is BIG STUFF! Don't underestimate the power of the journey! And if you feel at times, and we all do, that you're not up to the task, think of this: if you don't risk the journey, you risk even more.